Sunday Spin: New Releases From keshi, MIRANI & MINGI, BowImm, and BamBam
Sunday Spin is EnVi‘s weekly music showcase, where we bring you the hottest global hits in our curated playlist. Join us every Sunday for new music that sets the perfect tone for your upcoming week.
A Sunday isn’t complete without Team EnVi’s weekly Sunday Spin! In this weekend’s installment, our rotation is full of songs perfect for any mood, any time, and anywhere. Whether you’re ready to sit back and relax in your jammies or to take on the day ahead of you, these handpicked artists and tracks are here to fill your Sunday with high spirits and infectious beats!
Sarah Kang – “lazy afternoon”
What better way to spend your Sunday than a comfy lazy afternoon! Full of intimacy, love, and serenity, Jazz-pop songstress Sarah Kang returns with another timeless ode dedicated for that special someone you wish to spend your lazy afternoons with. “lazy afternoon” is a heartwarming song all about love, a love so deep that nothing really matters if the other isn’t here. Illustrating beautiful experiences and joyful sights, Sarah softly sings of all her ventures falling short to the beauty and importance of the one she loves. Wanting nothing more than having each other’s presence, Sarah’s only desires lie in quality time and companionship. Adding to the track’s heartfelt lyrics, the velvety acoustic and light snare harmonizing alongside the soft-felt piano.
Keshi – “Dream”
In the wake of his upcoming REQUIEM World Tour beginning in October, Vietnamese American singer-songwriter keshi has done it again with his latest release “Dream.” The artist is known for his soft vocals, poignant lyrics, and emotional production and “Dream” is no exception. The track is a candid expression of the pitfalls of being in a happy relationship after being in one where things went wrong. Over a somber piano and timid strings, keshi confesses thinking about all that could’ve been with an ex despite being with someone that is so perfect they can only be described as a dream: “The best thing that happened to me.” The curiosity and guilt that one feels when thinking of another when you have it all can be felt in every note. Though in the final chorus when keshi cries out “In my nightmares, it should’ve been you,” your heart breaks right along with him.
In the music video, contemporary dancers are seen amongst a barren backdrop dancing while keshi sings sorrowfully in the center. The scenery is bare but still dreamlike, with fog and the dancer’s vision blocked by cloth, further emphasizing the meaning of the track. As the summer draws to a close and the cooler months creep upon us, “Dream” is the perfect track to add to your more subdued playlists.
BANG&JUNG&YOO&MOON – “Gone”
Comebacks have never been so bittersweet. Marking their official return from their almost seven-year long hiatus with their highly anticipated album CURTAIN CALL, legendary B.A.P. members, BANG&JUNG&YOO&MOON, resurge once more in the K-pop scene. Serving as the album’s title track, “Gone” is a euphoric rock song that tugs at your heartstrings and resonates with veteran BABYZ across the world. Encapsulating their years of emotions throughout their career. Per the official press release, “Gone” reflects one of the main messages BANG&JUNG&YOO&MOON wish to relay to their fans: “Memories created together are forever, as is the love that is shared. And that goodbye does not signal an end but a new beginning.” Including their pre-release single “Farewell,” the album holds a variety of genres and messages, showcasing the members’ musical evolution from boyish idols to young men. BANG YONGGUK is credited with the lyric writing, composition, and arrangement for all tracks with member YOO YOUNGJAE participating in writing lyrics for their sidetrack “Way Back.” Through CURTAIN CALL, BANG&JUNG&YOO&MOON hope both BABYZ can feel their message of comfort and deep appreciation for their listeners’ unbroken love and faith in the group’s long-awaited reunion.
Following the emotional comeback and release of their album, fellow members expressed their sincerest gratitude and love towards their supportive community who have stood alongside them along their journey. “Our fans, BABYZ, have sent their endless love and support to BANG&JUNG&YOO&MOON. “CURTAIN CALL” has only been made possible because of this. As our fans gave us the honor of spending their one and only youth with us, we hope we can make another unforgettable memory that will last a lifetime. We recommend listening to all of the songs on CURTAIN CALL as you join us on our journey filled with happiness, which will be cherished until the last moment.” BANG&JUNG&YOO&MOON stated in a press release. The group will be holding a fan concert at the KBS Arena in Seoul, Korea on August 17th and 18th, following up with more fan concerts in Tokyo, Taipei, and Hong Kong.
BowImm – “Cut Cut Cut”
T-Pop duo, BowImm, have had enough of the drama and make that painfully clear on their latest single “Cut Cut Cut.” Over a R&B and hip-hop inspired pop production that starts out with the bold claims of the members, “Cut Cut Cut” is a track for the lovergirls. BowImm sing about their lover who just strings them along with incessant flirting and empty promises only to never fully make a move. Talk about a letdown. The duo’s gentle vocals and rap packed with attitude fitting for the topic meld together to create the perfect no-nonsense anti-lovesong. If you’re a fan of pop music all about love – good or bad – then definitely keep BowImm on your radar.
Kenshi Yonezu – “RED OUT”
Picking up the pace with his profound sounds and introspective lyricism, Kenshi Yonezu takes a darker turn in the J-pop scene. If you’re a fan of his riveting tracks “KICK BACK” and “Shinigami,” “RED OUT” is the perfect frenzy-packed track you need on your playlist. Kicking off with a groovy bassline, the song goes into an expertly layered arrangement of instruments with Kenshi’s flexible voice bringing the song all together. From snappy synths to heavy backbeats, “RED OUT” poses itself as an aggressive rock-esque song fueled with urgency and intense energy. Leading into the song’s outro, Kenshi shows off an electrifying vocal performance as he repeatedly sings “Get out,” increasing the volume in his voice into a hoarse scream with the instruments following in suit — going off into a chilling silence before the chorus fills the silence one last time.
Alongside its analytical lyrics, the accompanying music video was directed by Kyotaro Hayashi who has previously worked on Yonezu’s hits “M87” and “TEENAGE RIOT.” Kyotaro once again presents a captivating video and visual experience, heightening the tracks vigor and depth with its visual feast of strobe lights and heavy atmosphere. “RED OUT” serves as the lead single in his upcoming sixth album LOST CORNER, which is scheduled for release on August 21. “RED OUT” has also been chosen as the theme song for Spotify’s upcoming commercial campaign, which features world famous dancer THE D SoraKi.
Fordo – “Obvious”
Caught in a complicated romance this summer? In a new single, artist Fordo brings back nostalgia of the 2000s heartbreak anthems. In a desperate plea, he asks for clarification in their relationship. Just as Fordo’s ready to take the next step, his lover enjoys the chase. “I sacrificed my heart for this,” he claims in the chorus. “Didn’t I, didn’t I, didn’t I make it obvious?” Though his lover continues to say they love him, it’s not reciprocated equally.
Full band instrumentation and trumpets marks the track as upbeat, deceptive of its true theme. The fanfare sprinkled throughout the song raises the tension between Fordo and his not-quite-lover. While Fordo is confident and upfront about his feelings, his lover continues to push and pull. Escalating chord progression and changing flow, he expresses the instability in this relationship for both parties involved. Ending with sirens, whistles, and record scratching, Fordo signals the battle left to come. If you want a song to dramatically jam out to, it’s “OBVIOUS,” you should listen to this one.
MIRANI – “Hit Me Up (Ft. MINGI of ATEEZ)”
South Korean rapper and songwriter MIRANI, known for her powerful rap and deeper vocals after appearing on Show Me the Money 9 in 2020, took a complete 180 with her latest single “Hit Me UP” featuring ATEEZ’s main rapper, MINGI. Where for years, MIRANI has pushed forth a darker image, with this release she dives deep into her feminine charm and bubble-gum pop era. “Hit Me Up” is an upbeat pop track with elements of hip-hop where both artists focus more on melodic rap to complement the sweet production.
If you’ve ever found yourself tired of the games of romance, then this is just the track for you. MIRANI and MINGI sing candidly together, stating clearly that they would just like their lovers to hit them up when they’re done playing! The music video further encapsulates the sweetness of the track, with both artists singing to each other from their respective windows. If you’re not quite ready to say goodbye to the refreshing vibes of summer then make sure to add “Hit Me Up” to your music library.
MIRANI’s Socials: IG | TK | X | YT
MINGI’s Socials: IG | TK | X | YT
BamBam – “Last Parade”
Soloist BamBam is back, displaying his power in performance. Using the persona of “BAMESIS,” he brings a new element to his authority. BamBam blends the style of renaissance paintings with fantasy and cyberpunk aesthetics in his music video. He is shown as both a government leader as well as an anarchist, both ready to battle. From dystopian militant visuals, he transitions into a more rugged appearance. The choreography is just as expressive of his two sides. BamBam uses the sharp angles in vogueing as a representation of the rigid authoritative figure. Meanwhile, his anarchist self seems to show through the more fluid and fun elements of the dance.
Opening with choral chanting and the ominous chirps of crows, the song instantly creates an eerie mood. With a transition into a simple hiphop beat, the percussion mimics the rhythm of militant marching. Leading into the chorus, the tempo speeds up before the beat drops. As he says in the lyrics, BamBam is calling listeners to join him in one last attempt to celebrate their freedom. If you’re looking for a new party anthem to add to your playlist, consider one “Last Parade.”
Other tracks in this week’s Sunday Spin playlist include “Real Man” by Filipino indie alt-pop singer beabadobee, “Underground (Doss Remix)” by Japanese girl group f5ve, and “Did You Like Her In The Morning?” by Indonesian indie-pop star NIKI. Listen to everything mentioned and more, curated by Team EnVi only for you on Spotify.
Want more of the latest releases? Check out our previous Sunday Spin here!
